![]() ![]() ![]() It’s going to be dense so we’ll provide plenty of reading tips, should anyone in 2019 still want to read more than 140 characters, and cordially invite you to think – à la the ‘cowboy scene’ in Mulholland Drive. This interview can be regarded as an extension of the album and, on some select aspects, of our work over the last – well, you said it – fifteen years. Hence, the modus operandi evolves and adapts. “The Furnaces of Palingenesia”, on the other hand, is as concrete, material, palpable, and contemporary as possible. All previous recordings demanded a presentation in absentia, any departure from that stance would’ve been treason towards their essence. It’s also a matter of overall internal coherence, as discussed with you before we entered the studio last year. Why speak out now, for the first time in fifteen years?īecause it’s 23:58 on the doomsday clock. It was released shortly after the release of The Furnaces of Palingenesia, and is reproduced from Interview with Bardo Methodology The following is the transcript of an interview that Deathspell Omega conducted with Bardo Methodology, a music page (sort of akin to a webzine or blog) covering extreme metal & other challenging music operated by Niklas Göransson. ![]()
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